Understanding the New York Mayor's Style Choice: The Garment He Wears Reveals About Modern Manhood and a Shifting Culture.
Coming of age in London during the 2000s, I was constantly immersed in a world of suits. You saw them on City financiers hurrying through the financial district. They were worn by fathers in Hyde Park, playing with footballs in the evening light. At school, a inexpensive grey suit was our mandatory uniform. Historically, the suit has functioned as a costume of seriousness, projecting authority and professionalism—traits I was told to aspire to to become a "man". However, until lately, people my age seemed to wear them infrequently, and they had all but disappeared from my consciousness.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony wearing a sober black overcoat, pristine white shirt, and a notable silk tie. Riding high by an ingenious campaign, he captivated the public's imagination like no other recent contender for city hall. But whether he was cheering in a hip-hop club or appearing at a film premiere, one thing was largely constant: he was almost always in a suit. Loosely tailored, modern with unstructured lines, yet conventional, his is a quintessentially professional millennial suit—well, as common as it can be for a cohort that rarely chooses to wear one.
"The suit is in this weird place," notes men's fashion writer Derek Guy. "Its decline has been a slow death since the end of the Second World War," with the significant drop arriving in the 1990s alongside "the advent of business casual."
"It's basically only worn in the strictest settings: weddings, memorials, to some extent, legal proceedings," Guy states. "It's sort of like the kimono in Japan," in that it "essentially represents a custom that has long ceded from daily life." Numerous politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have authority.'" Although the suit has traditionally conveyed this, today it performs authority in the attempt of gaining public confidence. As Guy elaborates: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of performance, in that it enacts manliness, authority and even closeness to power.
This analysis resonated deeply. On the infrequent times I need a suit—for a wedding or black-tie event—I dust off the one I bought from a Japanese department store several years ago. When I first selected it, it made me feel refined and high-end, but its tailored fit now feels passé. I imagine this sensation will be only too recognizable for many of us in the global community whose families come from somewhere else, especially global south countries.
It's no surprise, the working man's suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through trends; a particular cut can thus characterize an era—and feel quickly outdated. Consider the present: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a significant investment for something destined to fall out of fashion within five years. Yet the attraction, at least in certain circles, persists: in the past year, major retailers report tailoring sales increasing more than 20% as customers "shift from the suit being daily attire towards an appetite to invest in something special."
The Symbolism of a Mid-Market Suit
The mayor's go-to suit is from Suitsupply, a European label that sells in a moderate price bracket. "Mamdani is very much a product of his upbringing," says Guy. "A relatively young person, he's not poor but not extremely wealthy." To that end, his mid-level suit will appeal to the demographic most inclined to support him: people in their thirties and forties, college graduates earning professional incomes, often frustrated by the cost of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits arguably don't contradict his stated policies—which include a capping rents, building affordable homes, and fare-free public buses.
"You could never imagine Donald Trump wearing Suitsupply; he's a luxury Italian suit person," says Guy. "As an immensely wealthy and grew up in that New York real-estate world. A status symbol fits seamlessly with that elite, just as more accessible brands fit well with Mamdani's constituency."
The legacy of suits in politics is long and storied: from a former president's "controversial" tan suit to other world leaders and their notably polished, tailored appearance. Like a certain UK leader learned, the suit doesn't just clothe the politician; it has the power to characterize them.
The Act of Banality and A Shield
Maybe the point is what one academic calls the "enactment of banality", invoking the suit's long career as a uniform of political power. Mamdani's particular choice taps into a deliberate understatement, neither shabby nor showy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. However, experts think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't apolitical; scholars have long pointed out that its contemporary origins lie in military or colonial administration." Some also view it as a form of defensive shield: "I think if you're from a minority background, you might not get taken as seriously in these white spaces." The suit becomes a way of signaling legitimacy, perhaps especially to those who might question it.
Such sartorial "code-switching" is hardly a new phenomenon. Even iconic figures previously wore three-piece suits during their early years. Currently, other world leaders have started swapping their typical fatigues for a black suit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's image, the tension between insider and outsider is apparent."
The attire Mamdani selects is deeply symbolic. "Being the son of immigrants of Indian descent and a progressive politician, he is under pressure to meet what many American voters expect as a sign of leadership," notes one author, while at the same time needing to walk a tightrope by "avoiding the appearance of an elitist betraying his non-mainstream roots and values."
But there is an acute awareness of the different rules applied to suit-wearers and what is read into it. "This could stem in part from Mamdani being a millennial, skilled to assume different personas to fit the situation, but it may also be part of his multicultural background, where code-switching between languages, customs and clothing styles is common," it is said. "White males can go unremarked," but when women and ethnic minorities "attempt to gain the power that suits represent," they must carefully navigate the codes associated with them.
Throughout the presentation of Mamdani's public persona, the tension between somewhere and nowhere, insider and outsider, is visible. I know well the awkwardness of trying to conform to something not built for me, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in public life, image is never without meaning.